The Overall Design:

Ampeg's original SSB was introduced in '67. There's a page on this site about it here. It was an interesting idea, but too many of its design features turned off buyers. It was a failure in the marketplace, and was discontinued after only a month or so of production. I have an original SSB and an SSUB in my collection, and they're fun to play, with a suprisingly boomy sound. The biggest drawback to them is the narrow string spacing at the bridge, which is uncomfortable to play finger style. And, like most short scale basses, the strings are kind of soft and floppy feeling. I've shown them to many of my friends, and they like them, but they're small enough overall that the general impression is that they're a toy, not a "real" bass.

So, in designing the new generation SSB, I started from the ground up. I've kept the general styling of the original, but I've made some significant changes to the geometry and construction. The new SSB is not a "reissue", but an all new instrument. Because hardly anyone but me has ever seen or heard of the original SSB, I decided to stay with the name SSB for my new version, rather than call it something like the SSB-2.

I stretched out the overall length by almost 3 inches, so it's only slightly smaller than a Fender-size bass. The neck is 2" longer than the original, and only an inch shorter in length than a typical 34" scale bass neck. Because of the short scale length, it has a full 24 frets in about the same length fingerboard that would usually have 20 frets. All of the frets up to the 18th are clear of the body, so this bass is great for playing up high. I made the neck quite thin, from front to back, but the width and string spacing are about like a P-Bass. Although I have large hands and normally play a 35" scale AEB-2, I've found the SSB's neck and close fret spacing very comfortable and easy to get used to.

The original SSB's headstock was cut flat, Fender-style, and the shape is rather ugly. I started over on the new SSB, tilting the headstock back and adding a thick volute on the back for stiffness. I came up with the cool sweeping shape of the headstock to complement the style of the pickguard.

I also stretched out the whole body, lengthening the back end, and slightly extending the rounded horns. This improved the visual proportions over the original, and makes it balance better. The body is all hollowed out inside with a series of acoustic chambers to add sweetness and bloom to the tone of the high notes.

Because of the short scale length, the bridge ends up almost in the middle of the body. I mounted the tailpieces at the very back edge of the body, leaving a long distance between them and the bridge. Although the SSB is only 30 1/2" scale length, it uses standard 34" scale bass strings, giving you a wide variety of brands and gauges to choose from. If you like, the SSB can be fitted with heavy gauge strings to increase the tension and response. It also sounds great with flatwounds if you want a warm, smooth tone. As on the AEB-2 Scroll Bass, the extra length behind the bridge allows the string to stretch more, so it can be plucked hard for a percussive attack on the notes.